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And I say this now, when Canon is well above 36 megapixels. That’s interesting to hear — the vertical orientation and IS, that is. This is before we even consider metering inaccuracy losses…. Poetry aside and narrative device aside, there is a) no excuse if the other company using the same sensor can make it work, and b) I want to have the ability to make that choice myself, not have the camera make it for me. As I understand it, neither Zeiss nor Canon will make their auto-focus interface available to Zeiss. Doesn’t that defeat the point entirely of having access to my audience?”. You would then have to remember things go back to front again in Av or Tv, which will eventually cost you a fumble and a shot. Be careful Ming. And this body please all for less than 1.500 USD. Because they never implement into their gear, what they are able to, but do their tactical maneuvering of what they do now and what they reserve for the next model to buy respectively for the model one step up in their lineup. I’m glad I’m not the only one having issues with Sony ergonomics! Looking for the best canvas prints? Final firmware Canon EOS 5DSR real-world samples posted Jun 23, 2015 Canon GPS receiver GP-E2 firmware 2.0 adds T6i/T6s (760D/750D) and â¦ Check this list of Adorama Black Friday deals, Amazon Black Friday deals, and much more! I can’t speak more highly of them. The 17 is a bit compromised, but then again it is the only 17 TSE…so if you need it, there’s no choice anyway. Must admit I have no direct shooting and processing experience with Nikon. Thank you very much!! Showing off the talent/skill of a given photographer does not really make a casual shooter/camera consumer buy a camera. Thanks a lot!!! (apart from ratio, etc) . I suspect that finding somebody with skills at the necessary level in both disciplines might be tough. I don’t see anything wrong with that – best tool for the job. If you enjoyed the content, please consider, All images and content copyright Ming Thein 2014+. But I agree: sooner or later. I had one such problem with the 2.8/35 PC: it sang on the 50MP 5DSR, but was very soft on the A7RII – almost as though I was getting free tilt in addition to […], […] pro or the reasonably affluent amateur. It probably also has something to do with the lenses being calibrated in the landscape orientation. Itâs still just a small niche. In fact one of the factors is the availability of “very good light”, in which case the shutter speed would likely be not a problem especially on short focal lengths. I think in your D810 review I read that it was the camera that needed the least color corrections from all the cameras you tested so far. I also use Nikon lenses on some of my enlargers without any issues. I have the Contax 135/2.8 and while it has a great ‘look’ (ultra smooth bokeh) it’s noticeably soft wide open on my 60D due to strong longitudinal CA. I’ve been wanting to upgrade my D800 for a while now (I print my images with an Epson 7900, with the bulk of the prints at 24×36 inches (single image), or larger (stitched panorama)), and have seriously considered switching to Canon and even Sony the past year (the D810 is tempting, but I feel like I’m so far into its life cycle that I might be better off waiting for its successor). which still begs the question: if getting better shots for promo could be so easy (find a skilled shooter and give them free gear) why is it not done more consistently? Can you share your thoughts on the 24-70 f4 and 70-300L? What you’re seeing is the great Sony 11+7 raw compression. “Sony still didn’t address their crippled and awful lossy RAW”. I’d obviously pick up an Otus (55 for sure, probably 28 as well when its available) if I made the jump. Since my assignments tend to be somewhat varied, I still needed run and gun versatility at least some of the time. But I make decisions which have to be merely compromises. While the camera is relatively heavy, this means that it is large enough to allow for a full range of manual controls. The only thing I’d watch out for is some loss in performance when the lens is in portrait orientation – I’ve seen this behaviour on many IS/VR lenses and can only surmise it has something to do with the suspension of the stabilising elements and the way this is done to allow for compensation in one axis and not another when panning. At least the Nikon knew about it, isn’t mad, and isn’t walking out with the kid and half the house…. It would probably have handled the transition at the edge of the clouds a bit better, but I doubt it would have been able to hold everything – I was basically shooting into the sun at that point. Then, the DXO definition of the landscape dynamic range states that 12 stops of DR means an excellent one. So even if it’s ‘just for a review’, images that get associated with you have to be of a sufficient standard, too. But a couple of minor notes about the controls – you say that: “Some button function combinations are just impossible: you cannot have AE lock on the shutter button in anything other than evaluative metering, for instance, and then spot metering point doesn’t follow your AF point. The only reason for you to get involved to review it as an alternative to the various Leica digital M’s for the use of M-Mount lenses. I am aware of that. Thus, if quality matters, one cannot have (or carry around) all. Personally I much prefer the Zeiss approach…, Ming – “No amount of money can buy honesty. Thinking about buying one to use with adapters. Adapted backs for older MF systems work pretty well IF lenses can hold up, and remember you’re going to need something below 35mm for interiors since those sensors are at best 54x40mm. If you are on mirrorless, the Contax G fit 90/2.8 is also reasonably priced and sharp. Canon released two new full frame cameras, the 5DS and 5DSR, in the last half of 2015. Lenses not in the Nikon system at all – the 17TSE, 70-300/4-5.6 L, all of that vintage Contax Zeiss goodness that isn’t F-mountable because of flange distances. My Conurus converted Contax N 85/1.4 and 70-200 work well on the 5DsR when I need AF but want to keep the Zeiss microcontrast, colors, and rendering. Unfortunately, it doesn’t include features a videographer would want, like focus peaking or highlight warnings. As a matter of fact from your statement I have deduced that unless used “in the ideal circumstances, on a tripod, or in very good light, with critical focus obtained with the very best lenses”, one should not use this camera handheld regardless of the focal length, shutter speed and the intensity of the available light. Yes, and thanks you for clarifying Ming. The third image from the top puzzles me a bit. Nikon and Leica M9 series cameras have a more random, film-like, graininess to their noise. Especially what to carry around and not becoming a mule requires limitations. I placed the camera on a tripod in the dead of night, pointed it at a famous hotel in Dubai and took the shot with the timer (this camera is notorious for all sorts of image-blur problems though I am not entirely sold on the “shutter shock” theory that has made its way around the net (equally, I am not denying that there is a problem – perhaps the latest version has solved it???). Two 5Ds is really the same system, no? Use these photography marketing tools to improve ROI for your business in 2021 and beyond. But I can’t know it, can I? and don’t normally print above 13×19. In any case, it’s an academic question as such a situation can and will never arise. That is not their purpose. I like the Nikon ergonomics, the lens range suits my needs and the Nikon service, if ever needed, is first class. The 5D Mark IV is barely more than a year old, and considering that it debuted more than four years after the 5D Mark III, Canon fans may have a long â¦ Get all the details in this first impression guide to the Mac Mini M1. Long lockup times in live view ‘BUSY’ became a familiar screen. In total, I shot three assignments, one workshop and north of 10,000 frames with it. Yes, but grass is greener and all that. The commercial justification doesn’t exist, and ultimately, I’m still running a business. Thatâs the short of it and what follows is the long. 100% are not possible, but the better, is the good enemy! The shot I took with the Sony A7R was one that does not require any technical skill or know-how. So the Nikon gives you blisters once in a while, but don’t all marriages – even the good ones? Having gone through 120,000+ exposures with two 800Es, 10,000 or so with an 800, 50,000+ with an 810 and 10,000+ with the 5DSR, I find the Canon to behave more like the 800E than the 800. All or them working fine on my Canon 5d3. The shot I took with the Sony A7R was one that does not require any technical skill or know-how. In other words, if you’ve got it, flaunt it. Custom shooting settings on the mode dial, easily accessible. Hi Ming…very interesting two articles: I did a double take when I saw you reviewing a Canon. Great stuff! I do find 5DsR files are surprisingly a bit noisy even at base ISO, however D810 files are clean as a whistle and hold up upsizing remarkably well. And so was the number of pixels. Wow, talking about the issue seems to make it go away! As Ming mentioned, great shots in camera ads are rarely seen. Sadly, no. I’ve never been too happy with my D800E’s color rendering, greens especially (which is disconcerting when one prefers to photograph landscapes) nor have I succeeded in making a viable profile in my attempts. If this listing says it’s in excellent condition, that’s exactly what you get! I knew from the start that the 5DS/5DSR wasn’t for me. Long term review: Canon 5DSR August 19, 2015 by Ming Thein 192 Comments When the stars (trees) line up These will be my closing thoughts on the Canon 5DSR, first reviewâ¦ It’s just confusing: having had two of these affairs now, first with the 645Z and then with the 5DSR, I’m left more uncertain than ever. Thus I also dislike the entire series of 1.8 lenses that Nikon make so much fuss about – I’d prefer a 2.8 series much better. Appears to be yet another flickr issue, sorry. This is something that’s been baked into the Nikon “matrix” metering system since the days of the F4. Thanks! I guess will just sell the camera, then…:). Canon 5DSR B&H Amazon It is one of the paradoxes of the digital age and it occurs to me daily. I’m not sure I agree, Eli. Well, after a few weeks of shooting and testing, I can honestly testify that it is not a huge difference when compared with what I can recover in post processing from a “correct” 5D Mark III (or 6D) exposure. 2) Leaving all the constraints due to ISO, dynamic range and metering, in terms of the reciprocity rule, i.e. As a reader it will be fascinating to see how the consolidation pans out, and I can’t complain with the output I’ve seen from your D810 and Zeiss lenses. I can quickly sum things up for you: the Canon â¦ Sure you were seduced by her curves and how she felt in your hands, not to mention bigger … But you realized it was a mistake. The GoPro Hero 8 Black has since been replaced with the Hero 9 Black, but it's still a feature-rich action camera with plenty of mods to make it a great camera for you. I am giving away over $9,000 in prizes including a Brand New CAMERA! Wide open there is some variance in performance especially at close distances, though this appears to be a focusing issue rather than an optical one. They shouldn’t be; color hugely affects perception even in small shifts. But the fact is that there arenât many reviews on the new Canon 5DSR available, targeted at long exposure photographers. But HDR doesn’t always work, for instance with long exposures or moving subjects (if it’s windy, for instance). Thanks Gerner. But how often is that a real challenge? They require patience, effort and commitment to reap the rewards. It’s one of the cheapest lenses in the Contax range and the price is entirely justified by it’s relative performance – I have the later, optically improved MM version and it’s possibly the worst of the 15 or so C/Y fit Zeiss lenses i’ve tried the 80-200 zoom has less CA and may be sharper. Thom Hogan assiduously covers the Nikon beat over at his blog and has been very critical of Nikon’s quality control and customer service in the US. I give up something at the extremes of the performance envelope, but under those conditions I can probably stitch to close the gap. Finally, your Hanoi series on Flickr is great. I was close to jump on the Sony A7R2 system until I learned that Sony still didn’t address their crippled and awful lossy RAW and neither have dialed in their color algoritm so an easy profiling would be possible. Just once question: i have three zeiss ZE lenses a 21/2.8 distagon, a 50/2 makro planar and a 100/2 makro planar. We still don’t know how much of an issue it really is. Is it me or are the comments here decidedly more rational of late. Once they go into the system, kiss color goodbye. Ask yourself: would anybody still visit this site if that was the case? Great job people. The second question is, if would I be ready to accept the side effects of a resolution that high or the 50 MP of the Canon for that matter. The A99 was to me a better camera in every way, so I kept my Nikons and left it at that . Anyways, I apologize if my intervention has been perceived as defending Canon against Nikon. do not matter. The 5DSR has the highest resolution but visibly less distance is in critically sharp focus because the increased resolution also differentiates planes of critical focus more distinctly. Greetings from germany, Philipp. […] series was shot with a mix of the Canon 5DSR and 40/2.8 STM Nikon D5500 and Zeiss 1.4/55 Otus, and post processed with Intro to Photoshop […], […] //embedr.flickr.com/assets/client-code.jsThe Garden of Cosmic Speculation. Your article about the Canon % DSR certainly caught my interest. Thanks for clearing that up. They are not really about displaying the artistry and skill of some great shooter. Did you get rid of yours or have you stopped using it? You note the lack of dynamic range with this newest Canon. I didn’t find it to be a good solution at all and dropped the 645Z. There one of the factors you mention is the use of a tripod (and hence not using the camera handheld), regardless of the shutter speed. The 810 is slightly crisper than the 800E, but it isn’t always noticeable (dependent on subject and lens). Great review Ming, thanks a lot! They can’t easily be made consistent in post, because I suspect this partially has to do with the tonal response of each channel at different luminance levels AND the dynamic range differences. i’m sure it’s a crazy ratio. Did you warm up a bit to the 40mm perspective? The field of view and rendering to my eyes are a lovely combination. M mount on the A7 series is pointless because the lenses need offset microlenses on the sensor to work without corner shading and hue shift. Nice to hear there is actually some substance to it, although I may still pass on it. The lens lineup is only a problem for any system if it doesn’t contain what you need now – the speculation of what might come is a bad reason to buy any hardware. How does this Canon compare to the CMOS medium format sensor? On top of that, negative film has enormous dynamic range if used correctly…, Well, I was not aware that would be the reason behind. That slightly larger and slightly clearer viewfinder was also not quite so snappy or easy to manually focus with. There seems to be so many options and unfortunately not many of them can be tested where I am currently located so I would much appreciate any input if you have any. I have no problems with manual focusing per se as I used the older Olympus manual system in the past and loved it. Are my eyes playing tricks on me, or was all that green stuff really that similar in tone and hue? It obviously depends on what you shoot and what your personal threshold of acceptability is – fair weather vacation snaps are going to have a far higher hit rate than cinematic still in low light. Or were you thinking of somehow swapping them for Av mode/etc as well? keep on. Is moire an issue with the 5DSR? Nikon seems to only push their product with discretion. Ming Thein's long-term 5DSR review Started Aug 20, 2015 | Discussions thread Forum Parent First Previous Next Flat view PhotoKhan â¢ Forum Pro â¢ Posts: 10,909 Re: Ming Thein's long-term 5DSR review â¦ These will be my closing thoughts on the Canon 5DSR, first reviewed here. Nothing about any of the conceptualisation or execution. But then, straining my nerves and the ones of who travel with me with numerous shots to get the perfect sharpness with manual focus more or less by try and error is not worth it. Really, shutter shock exists – but you’ll rarely see it on an exposure long enough to warrant a tripod – due to the cumulative nature of the exposure. In buddhism there is a concept that explains that in life, not moving forward means that you not simply stay still, but in reality you are slowing falling back…, Well, it is interesting that speaking of corporation malpractice you used the term “APPLE for it”… You, dear Sir, understand very well the game! Having both with Canon offers the obvious advantage of glass compatibility but am I getting the best result in both situation? I don’t see too many problems, resolution-wise with the 17mm on my Sony A7r. Framed print poll: http://www.rangefinderforum.com/forums/showthread.php?t=113890, I think part of the reason for none for most people is a) access to good printers and b) once you decide to print, that’s a level of commitment to an image that most people simply do not have – deciding what to print is actually a very good way of curating , I guess it must be people like me keeping the printers in business – I probably made close to a thousand prints last year…. Everything is fine now, thx , Flickr has on and off issues quite often, it seems – depends on whether their server in your part of the world is playing nice on a given day or not. The information loss in RAW is still there, but causes different perceptual issues to the 24MP 7II because resolution comes into play. Stuff that has no equivalent like the 35/2.8 PC-Distagon and the 100-300/4-5.6 Vario-Sonnar. If I shot only subjects under which I could satisfy those conditions – in a studio, or perhaps landscape or architecture – it would be very easy to justify a complete switch. Although their 50 megapixel â¦ The Pentax is superior in all ways except resolution (for which it would be similar). Doug Klostermann And on top of that, Nikon has made it clear to me they are not interested in working with anybody who isn’t Japanese or Caucasian. You can also get your gear from B&H and Amazon. I’m a bit surprised to read that the colors of the Canon are that much better than those of the D810. Even if you change that to ‘cameras sold : number of people who print’ the ratio is going to be extremely scary. maybe only the trade between makro planar 50/2 for the Milvis 50 1.4 will make sense. Your last comment on the Pentax 645Z is interesting. Nope, sorry. How do you think they will perform on the 50MP sensor fo the 5ds/r ? Nikon having a 24 MP sensor in an APS-C advocates for the possibility of 54 MP FX. If you go between M, Av, and Tv, you are going to have to deal with the inconsistency for one of the modes! resolution is around f 4) Besides 2.8 and where necessary 3.5 would give more headroom for corner sharpness, flat field and microcontrast. The Nikons can be reversed in all modes – both assignment and direction. No gain to switch, optics are the same except for coatings. Doug, I tried both of those things. Like the 645Z – I really loved using it and the results, but the economics just don’t work because the cost is high and the envelope over which it can be deployed is just too small relative to my greater work. First impressions are that they are VERY good! Not surprised about the DR. Also not surprised that the Canon’s evaluative metering is less predictable or precise as Nikon’s. I’m glad that this camera interested you enough to give it a 10K spin. A further 10m words in 95,000+ comments below the line. As with the Canon 5D Mark III, the Canon 5DS R features a deep grip which is paired with a sculpted channel for your thumb placement to help keep the camera secure in your hands despite heavy glass. I have used phase one systems but never felt anything special using them, sure some of the Schneider lenses are beautiful but they lack soul which is very important to me. The Zeiss Otusses are the best lenses money can buy. In the equally unlikely situation that cost were not an issue, I’d run them in parallel, fly first class and pay a sherpa to carry what I might need ‘just in case’. Now that is an excellent analogy XD Hats off to you sir! But there will be fun late night battery charging to do when on multi day travel trips. What kind of proportion of your keepers were from the Otuses? A high quality light means not a huge contrast, not harsh highlights and deep shadows, as we experience in a bright summer day at noon, right? But all the same…yes, I’d like to see a camera that was actually designed by a serious photographer, not a marketing team. Photography is just a hobby for me after all. I don’t even think it’s an investment as such – most would be happy to do it in exchange for a camera which they’ll then go on to use and indirectly market for you…. Battery life left a lot to be desired: I never saw more than 600 frames, and often more like 300. He’s getting his information from me, and I’m getting it through my own examination of 7RII test files captured under controlled/known conditions and cross-referencing with Lloyd Chambers. You can’t push the shadows that much without noise – that I agree with. I can’t seem to find a smooth way of doing this. And yes, it’s obvious in print – we tried with the A7II and D750. Thanks. Some things simply rule out. Canon lacks Nikon’s new f1.8G primes, but Nikon lacks all of the special purpose stuff and some of the zooms – there is no 17 TSE, for starters. I was interested to see this camera from the perspective from someone who would actually use the camera to its potential. Canon is only interested if they can dictate 100% of what you say and write, even if it makes you look like an idiot. So mine never goes on the camera without a ‘FlareDinkum’ show mounted lens shade these days. OK. Moreover, I am entering a new world and even a bit strange for me: when am able to light up the shadows to that extent, with no visible noise increase, I am getting more of a “plastic”, “unreal” or “CGI” feeling…Therefore, I am sliding back the shadows, with no real gain from that great dynamic range. I shoot under conditions that are far enough outside the ‘ideal’ envelope to render the 5DSR too niche a tool to justify itself for my business (and the camera itself has a narrow envelope too), so it had to make way – as much as I love the […], Cut your editing time: custom SOOC JPEG Picture Controls and ACR preset pack for the Nikon Z7 and D850 available here. Who print ’ the ratio is going to be merely compromises commercial justification ’... It mostly likes f/5.6 and smaller highest resolution sensor in the field, but it mostly likes f/5.6 and.! Manually, using spot metering, bracket and/or test the exposure, as always line reality: ads! There won ’ t lead to new conclusions either need to try out my 500L or TS-E 17 on.. Follows is the good ones the Fuji X T1 ( meaning no post by... What it ’ s needed…, I bet until I can see how your needs would for! Way to rent gain you dynamic range at the sensor and do not change the sensors.... 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